As Paul Revere famously said, “The Villains are coming! The Villains are coming!” Some historians switch “villains” with “British.” And, uh, the villains already came.
Welcome back to the world’s greatest Gundam infomercial! Let us walk, hand-in-hand, through a land of animated advertisements, panning shots of Gunpla boxes, and one-and-done characters whose existence hinges upon their mobile suits’ corresponding model kits!
Episode fifteen finally answers the question eating away at the AniMessenger’s soul–“What is the Gran Crevasse?” The answer? A slithering hell-hole of cobalt/blue klaxxo-debauchery.
After two episodes of raw, unadulterated summaries, My Hero Academia attempts for the third time to kick-start its mojo-motors.
Miyazaki, Shinkai, Hosoda–take your final bows and vacate the stage. We enter a new epoch–a paradigm shift. The Time of Weasel.
DarliFra goes Full Soap Opera Mode as the amnesiac ex-lover (Hiro) reunites with our heroine and the romantic hopeful (Ichigo) desperately fortifies her side of the love triangle. Add in a fake pregnancy and we have our pilot for The Horny and the Restless.
The curtain rolls back on the unofficial season premiere of My Hero Academia—a show primarily concerned with “heros” and their “academic” careers–and Bubble Boy’s secret plan to haremitize his female classmates.
Can Gundam Build Divers deliver on the foundational promises in its opening animation? To cute-slap the audience’s face with cat-boys, weasel-commanders, and wolf-captains (oh my)?
DarliFra flips the script on the historically hexed number thirteen, re-finding the dark and macabre path it meandered from after episode five.
The AniMessenger swoops into the scene, vanquishing the villains who would wrest the Hero Academia from his mitts. The Hero Academia belongs to me. My Hero Academia!